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 Coming Big Attractions 4 Film & TV
 10001: A Final Odyssey
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Posted - 14 June 2014 :  11:07:03  Show Profile Send nolimits a Private Message  Reply with Quote
10001: A Final Odyssey
written and directed by Ayko...Willy Luke Muschiol
based on 2001: A Space Odyssey from Stanley Kubrick
& 2010: The Year We Make Contact from Peter Hyams
inspired by the Short-Story 'The Sentinel' written by Arthur C. Clarke

4001 B.C.
City of Akkad, Mesopotamia
“The Dawn of Civilization”

Scenes are shown of the Akkad vicinity close to the Tigris, Euphrates and Karun Rivers of Mesopotamia. The area is an oasis paradise surrounded by desert. A snake is shown slithering and then gazing at a frog. The snake suddenly jolts at the frog sinking its fangs into it as it begins to ingest the frog live.

Tranquil beauty of an intellectual and religious society in tune with nature within Akkad is shown. The main building structure, a pyramid like tower, is a holy palace for Magian Priests along with their wives and children. They represent the different cultures at the dawn of civilization in North Africa as family numbers grow and the need to spread out becomes necessary. The priests are speaking a simple, isolate language of the time common to them all. The palace acts as a uniting order to keep track of all families and cultures and to keep them united.

One morning, a Magian Priest (modern caucasian ethnicity) at the Akkad Palace awakens early with the dawn. He goes out onto the antique balcony to take in the panoramic view. He suddenly stares at the strange Monolith standing before him on the main grounds. He goes out to investigate. As he slowly gets closer, he becomes awed by the size and sheer intensity of the structure. Other Magi awaken and look out to see the Monolith. The Magi stands before the Monolith and seems to be absorbed as he moves his arm closer. He looks up towards the top of the structure with the dawn's sky in the background.

Another Magi suddenly shouts from the balcony to wait. All other Magi are woken and meet outside on the main grounds. They discuss if the Monolith is some kind of sign from God. Suddenly, intense sounds, and other waves, begin piercing the ears and brains of everybody in the area. Others come outside holding their hands over their ears around the Monolith and begin to fall to their knees. Still, the leader makes another attempt to touch the Monolith as if that will stop the excruciating sounds. He makes contact. The Monolith pulls his body smacking it hard and flat against its surface as a sparking charge is heard. He is then suddenly dragged three quarters up the side of The Monolith and then thrown to the ground hard as an electrical spitting sound hums. All others flash a charge as well and fall to the ground.

Hours later, they awaken to their workers, wives and kids yelling and fighting using different languages. They do not understand each other. Only the direct family members of their culture understand each other. The fighting escalates to an all out Magi battle leaving the palace in flames. The Magi clans take what they can and disperse and spread out. The Magi clan with dark tinted skin (like a negro) take their belongings and animals and move southward. The Magian clan (looking as modern day Asian) move eastward. The Magian clan (looking as modern day Caucasian) go north. Later, the area is again silent and in ruins. An Arab comes out from the rubble and approaches the side of The Monolith now silent. He holds his lance back ready to throw as he aims with his other hand towards the top of The Monolith. The film goes to slow motion as he throws the lance upward. As the lance reaches its peak height it changes to a neutrino satellite of surveillance orbiting the…

4001 A.D.
Europa-Moon of Jupiter

The former moons of Jupiter are now dwarf planets of a mini shining star or sun formerly the planet Jupiter. The space station is shown doing her orbital dance to ‘Spring Feelings’ op.410 from Johann Strauss.

Later, Scene(s) with Flight of the Bumblebee orchestral interlude from Nicholai Rimsky-Korsakov.

© Willy Muschiol...All rights reserved past, present, and future.

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